Editing Glyphs

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Shops often use glyphs and glyphpairs to indicate which type of goods are available for sale. For example, bookstores may display the glyphpair for "book", stylized into the shape of a book so that even illiterate servants will recognize it as a bookstore.{{book ref|twok|8}} Signs may also be used to indicate specific items for sale as well as associated prices.{{book ref|wor|43}} Books, folios, and scrolls intended for men may use glyphs and glyphpairs, along with images. Textbooks use glyphpairs to designate body parts in anatomical diagrams{{book ref|twok|31}} while a guide on [[Shardblade]] stances may use glyphs to indicate specific movements.{{file ref|Scroll_of_Stances.jpeg|Ironstance Scroll}} These will often be accompanied with women's script for further clarification. While official documents may make use of glyphs, they are typically written with women's script.{{book ref|twok|25}}
 
Shops often use glyphs and glyphpairs to indicate which type of goods are available for sale. For example, bookstores may display the glyphpair for "book", stylized into the shape of a book so that even illiterate servants will recognize it as a bookstore.{{book ref|twok|8}} Signs may also be used to indicate specific items for sale as well as associated prices.{{book ref|wor|43}} Books, folios, and scrolls intended for men may use glyphs and glyphpairs, along with images. Textbooks use glyphpairs to designate body parts in anatomical diagrams{{book ref|twok|31}} while a guide on [[Shardblade]] stances may use glyphs to indicate specific movements.{{file ref|Scroll_of_Stances.jpeg|Ironstance Scroll}} These will often be accompanied with women's script for further clarification. While official documents may make use of glyphs, they are typically written with women's script.{{book ref|twok|25}}
   
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Highborn lighteyed families often have a distinct glyph and a glyphpair. For example, the Kholin family uses the "khokh linil" glyphpair; stylized as a tower and a crown, this crest appears on the armor, clothing, and banners of Dalinar's army and servants.{{book ref|twok|18}} Maps of the [[Shattered Plains]] use these glyphs and glyphpairs to indicate ownership of camps and plateaus.{{book ref|twok|24}} Slaves are branded on the forehead with a glyphpair of the district in which they were enslaved, to signify their new caste. The addition of a "shash" glyph brand, marking a dangerous slave, can make it difficult to get a good price for the slave.{{book ref|twok|4}} Upon earning their freedom, slaves may opt to cover these brands with a tattoo, including glyphs that reference the record of their release.{{book ref|wor|2}}
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Highborn lighteyed families often have a distinct glyph and glyphpair. For example, the Kholin family uses the "khokh linil" glyphpair; stylized as a tower and a crown, this crest appears on the armor, clothing, and banners of Dalinar's army and servants.{{book ref|twok|18}} Maps of the [[Shattered Plains]] use these glyphs and glyphpairs to indicate ownership of camps and plateaus.{{book ref|twok|24}} Slaves are branded on the forehead with a glyphpair of the district in which they were enslaved, to signify their new caste. The addition of a "shash" glyph brand, marking a dangerous slave, can make it difficult to get a good price for the slave.{{book ref|twok|4}} Upon earning their freedom, slaves may opt to cover these brands with a tattoo, including glyphs that reference the record of their release.{{book ref|wor|2}}
   
 
=== Art and Religion ===
 
=== Art and Religion ===
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{{image|Glyphward1.jpg|glyphward|width=200px|side=right}}
 
{{image|Glyphward1.jpg|glyphward|width=200px|side=right}}
   
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Glyphs are also pervasive in decorations and religious practices, where they tend to be portrayed in a very stylized manner. Greater value is placed on beauty and aesthetics than on making the symbol easily recognizable. Glyphs are occasionally used on clothing for decorative purposes. For example, [[Alethi]] women sometimes wear dresses patterned with glyphs.{{book ref|twok|43}} The doors into the [[Palanaeum]] are adorned with a beautiful carving of intricate glyphs.{{book ref|twok|7}} When the freed members of [[Bridge Four]] chose tattoos to cover their slave brands, they opted for a purely decorative "Bridge Four" glyphpair to be added.{{book ref|wor|2}} Even the [[Parshendi]] have been known to occasionally carve strange, unfamiliar glyphs into their daggers.{{book ref|twok|27}}{{book ref|twok|59}}
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Glyphs are also pervasive in decorations and religious practices, where they tend to be portrayed in a very stylized manner. Greater value is placed on beauty and aesthetics than on making the symbol easily recognizable. Glyphs are occasionally used on clothing for decorative purposes. For example, [[Alethi]] women sometimes wear dresses patterned with glyphs.{{book ref|twok|43}} The doors into the [[Palanaeum]] are adorned with a beautiful carving of intricate glyphs.{{book ref|twok|7}} When the freed members of [[Bridge Four]] chose tattoos to cover their slave brands, they opted for a purely decorative "bridge four" glyphpair to be added.{{book ref|wor|2}} Even the [[Parshendi]] have been known to occasionally carve strange, unfamiliar glyphs into their daggers.{{book ref|twok|27}}{{book ref|twok|59}}
   
 
Sometimes these decorative glyphs may also take on a religious nature. In Vorinism, glyphs are often sewn into fabric or painted with a flammable ink. These "[[glyphward]]s" are then burned as a prayer. Young women may wear a "bride's prayer" on their sleeves prior to engagement, and soldiers may wear glyphwards into battle for luck and safety.{{book ref|twok|44}}{{book ref|twok|62}} Some even tattoo themselves with glyphs intended as a prayer.{{book ref|twok|55}} Women are typically responsible for drawing glyphwards for their families, though they may also be purchased at [[luckmerch]]es and apothecaries.{{book ref|twok|17}}{{book ref|twok|25}} While the practice of glyphwards is common in Vorin nations, some consider the practice to be superstitious.{{book ref|sa1|17}} More pagan beliefs also surround the use of glyphs. For example, some believe that extrapolations of the "tenth glyphic paradigm" can be used to determine one's personality.{{book ref|twok|33}}
 
Sometimes these decorative glyphs may also take on a religious nature. In Vorinism, glyphs are often sewn into fabric or painted with a flammable ink. These "[[glyphward]]s" are then burned as a prayer. Young women may wear a "bride's prayer" on their sleeves prior to engagement, and soldiers may wear glyphwards into battle for luck and safety.{{book ref|twok|44}}{{book ref|twok|62}} Some even tattoo themselves with glyphs intended as a prayer.{{book ref|twok|55}} Women are typically responsible for drawing glyphwards for their families, though they may also be purchased at [[luckmerch]]es and apothecaries.{{book ref|twok|17}}{{book ref|twok|25}} While the practice of glyphwards is common in Vorin nations, some consider the practice to be superstitious.{{book ref|sa1|17}} More pagan beliefs also surround the use of glyphs. For example, some believe that extrapolations of the "tenth glyphic paradigm" can be used to determine one's personality.{{book ref|twok|33}}
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{{image|Alethi Glyphs Page 2.jpg|The second page of a letter discussing Alethi Glyphs.|side=right|width=150px}}
 
{{image|Alethi Glyphs Page 2.jpg|The second page of a letter discussing Alethi Glyphs.|side=right|width=150px}}
   
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Glyphs can be seen written in three different ways: a standard, block form that highly resembles Thaylen script; a calligraphic form, in which the glyph may be altered significantly for heightened aesthetics; or a radial form, where the glyph is drawn repeatedly with radial symmetry about some point.{{17s ref|post|105525|Stormlight Archive Translation Guide|date=2014-3-6}} They typically have bilateral symmetry{{book ref|twok|8}}, matching the symmetrical pronunciation of the sounds they represent. In some cases, glyphs are composed of distinct graphemes representing consonants.{{17s ref|post|105525|Stormlight Archive Translation Guide|date=2014-3-6}}. There are two styles of graphemes: standard and calligraphic. The standard set of graphemes are illustrated in a letter from [[Nazh]] concerning his investigation of the [[Calligraphers Guild]].{{file ref|Alethi Glyphs Page 1.jpg|Page of Alethi glyphs}} While these graphemes are used in the design of new glyphs, many liberties may be taken in how they are utilized. As glyphs evolve in usage over time, these graphemes are often distorted, combined, or lost such that they are no longer identifiable. The graphemes often bear resemblance to the characters of Thaylen Script. When garphemes are apparent, they appear to be pronounced outward and down from the center and top of the glyph.
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Glyphs can be seen written in three different ways: a standard, block form that highly resembles Thaylen script; a calligraphic form, in which the glyph may be altered significantly for heightened aesthetics; or a radial form, where the glyph is drawn repeatedly with radial symmetry about some point.{{17s ref|post|105525|Stormlight Archive Translation Guide|date=2014-3-6}} They typically have bilateral symmetry{{book ref|twok|8}}, matching the symmetrical pronunciation of the sounds they represent. In some cases, glyphs appear to be composed of distinct graphemes representing consonants.{{17s ref|post|105525|Stormlight Archive Translation Guide|date=2014-3-6}}. There are two styles of graphemes: standard and calligraphic. The standard set of graphemes are illustrated in a letter from [[Nazh]] concerning his investigation of the [[Calligraphers Guild]].{{file ref|Alethi Glyphs Page 1.jpg|Page of Alethi glyphs}} While these graphemes are used in the design of new glyphs, many liberties may be taken in how they are utilized. As glyphs evolve in usage over time, these graphemes are often distorted, combined, or lost such that they are no longer identifiable. The graphemes often bear resemblance to the characters of Thaylen Script. When garphemes are apparent, they appear to be pronounced outward and down from the center and top of the glyph.
   
 
The component graphemes are not always readily discernible. Glyphs are often drawn in complicated ways that make it difficult to identify what they are unless a person knows what they are looking for.{{book ref|twok|27}} Lines are often added, removed, or contorted. In order to draw glyphs, one must have a deep understanding of how the glyph may be expressed without overly obscuring the meaning.{{wob ref|6461}} Additionally, glyphs are often drawn as pictographs--visually depicting the word it represents. This is done so those who cannot read glyphs may still understand what they mean.{{book ref|twok|3}}
 
The component graphemes are not always readily discernible. Glyphs are often drawn in complicated ways that make it difficult to identify what they are unless a person knows what they are looking for.{{book ref|twok|27}} Lines are often added, removed, or contorted. In order to draw glyphs, one must have a deep understanding of how the glyph may be expressed without overly obscuring the meaning.{{wob ref|6461}} Additionally, glyphs are often drawn as pictographs--visually depicting the word it represents. This is done so those who cannot read glyphs may still understand what they mean.{{book ref|twok|3}}

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