Difference between revisions of "Rayse"

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He is willing to grant people liberty from an oppressive master if it means that they would come to serve him, such as when he granted mind and freedom to slaveform singers, so that they could assist him and his Fused in their fight to claim Roshar and free him from the Rosharan system.{{cite}} He, however, is not a kind master to these peoples, using them as vessels to be possessed by his Fused.{{book ref|sa3|i|6}} He also strictly punishes disobedience in any form, and as mentioned previously, is angered by his orders or actions being questioned by those he deems inferior.{{book ref|sa4|i|2}} Despite this, he considers himself to have given his followers exactly what they wished for, the chance to die in war, in glory, in blood, and to find joy in that destruction.{{book ref|sa4|i|6}}
 
Following from his beliefs regarding passion and emotions, he believes a world without such things as not being worth living in.{{book ref|sa3|57}} He also believes himself the only Vessel to truly understand pain and emotion, and the only one to truly care about mankind.{{book ref|sa3|109}} He wants to take away the pain of sapient beings, to take away their guilt for their actions. To allow them to fully indulge in their emotions and passions without having to feel the weight of pain or guilt.{{book ref|sa3|118}}{{book ref|sa3|119}} Offers to take away the pain are one of his primary methods of getting people to turn to him, as he preys on their pain, guilt, and insecurities.{{cite}} HoweverAs a lover of passion and honesty in one's emotions, despitehe looks down upon those who restrain themselves and don't act on their feelings, as they are contrary to his ideology of emotional openness and indulgence.{{book ref|sa4|i|6}} Despite his claims to love mankind, he considers the lives of humans and singers of inherently lesser value than his own, and looks down upon them.{{book ref|sa4|112}} He does, however, see his singers as more valuable soldiers than mankind, and is willing to use the blood of mankind to preserve and strengthen them.{{book ref|sa4|i|6}}
 
While willing to compliment people for their accomplishments, such as complimenting [[Taravangian]] for the creation of the [[Diagram (literature) | Diagram]], he often tries to immediately upstage said accomplishments and make them into nothing; this is likely motivated by his own megalomania and belief in the inferiority of mortals.{{book ref|sa3|122}}{{book ref|sa4|i|6}}{{book ref|sa4|112}}
 
He presents himself as a regal king, donning a golden crown and staff, reflective of his desires and how he views himself.{{book ref|sa3|56}} He even uses his regal staff when presenting himself to the Singers, likely as a display of authority.{{book ref|sa3|115}}
 
As a Vessel of a Shard of Adonalsium, and a deeply arrogant man, Rayse fears very little. But one thing he does fear is [[Szeth]] and [[Nightblood]], for Nightblood is one of the only things that could truly kill him.{{book ref|sa4|i|6}}{{book ref|sa4|113}} He also came to fear Dalinar when he opened the Perpendicularity.{{book ref|sa3|119}}
 
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