Difference between revisions of "Glyphs"

The usage of glyphs may predate even the [[Heraldic Epochs]], as they can be found inscribed, along with other patterns, on the [[Honorblade]]s themselves.{{book ref|twok|part=prelude}} They came into common usage among humans during the [[Era of Solitude]]; and are said to have been given to the Rosharans by the [[Dawnsingers]].{{book ref|twok|33}} Glyphs seem to have a common origin with [[Thaylen script]], due to the presence of many similar graphemes. Though [[women's script]] became the primary writing system used in [[Vorin]] nations, glyphs are still used in many contexts.

Highborn lighteyed families often have a distinct glyph and a glyphpair. For example, the Kholin family uses the "khokh linil" glyphpair; stylized as a tower and a crown, this crest appears on the armor, clothing, and banners of Dalinar's army and servants.{{book ref|twok|18}} Maps of the [[Shattered Plains]] use these glyphs and glyphpairs to indicate ownership of camps and plateaus.{{book ref|twok|24}} Slaves are branded on the forehead with a glyphpair of the district in which they were enslaved, to signify their new caste. The addition of a "shash" glyph brand, marking a dangerous slave, can make it difficult to get a good price for the slave.{{book ref|twok|4}} Upon earning their freedom, slaves may opt to cover these brands with a tattoo, including glyphs that reference the record of their release.{{book ref|wor|2}}

Glyphs are also pervasive in decorations and religious practices, where they tend to be portrayed in a very stylized manner. Greater value is placed on beauty and aesthetics than on making the symbol easily recognizable. Glyphs are occasionally used on clothing for decorative purposes. For example, [[Alethi]] women sometimes wear dresses patterned with glyphs.{{book ref|twok|43}} The doors into the [[Palanaeum]] are adorned with a beautiful carving of intricate glyphs.{{book ref|twok|7}} When the freed members of [[Bridge Four]] chose tattoos to cover their slave brands, they opted for a purely decorative "bridgeBridge fourFour" glyphpair to be added.{{book ref|wor|2}} Even the [[Parshendi]] have been known to occasionally carve strange, unfamiliar glyphs into their daggers.{{book ref|twok|27}}{{book ref|twok|59}}

Glyphs can be seen written in three different ways: a standard, block form that highly resembles Thaylen script; a calligraphic form, in which the glyph may be altered significantly for heightened aesthetics; or a radial form, where the glyph is drawn repeatedly with radial symmetry about some point.{{17s ref|post|105525|Stormlight Archive Translation Guide|date=2014-3-6}} They typically have bilateral symmetry{{book ref|twok|8}}, matching the symmetrical pronunciation of the sounds they represent. In some cases, glyphs appear to beare composed of distinct graphemes representing consonants.{{17s ref|post|105525|Stormlight Archive Translation Guide|date=2014-3-6}}. There are two styles of graphemes: standard and calligraphic. The standard set of graphemes are illustrated in a letter from [[Nazh]] concerning his investigation of the [[Calligraphers Guild]].{{file ref|Alethi Glyphs Page 1.jpg|Page of Alethi glyphs}} While these graphemes are used in the design of new glyphs, many liberties may be taken in how they are utilized. As glyphs evolve in usage over time, these graphemes are often distorted, combined, or lost such that they are no longer identifiable. The graphemes often bear resemblance to the characters of Thaylen Script. When garphemes are apparent, they appear to be pronounced outward and down from the center and top of the glyph.